It is an archetype of opera buffa-from the Italian buffo, meaning funny or amusing or, in musical terms, comic-where everyone, even the antagonist, ends up smiling and singing together.Īnd the singing! From high to low, every voice must be capable of rapid patter singing, vocal ornamentation, and effortless agility. There isn’t even any (actual) disease or (genuine) heartbreak or (mean-spirited) deception. No dying no historical indignities no goddesses or gods deciding the fate of humanity. The Barber of Seville, or Il barbiere di Siviglia in Italian, is one of the more purely entertaining evenings to be had in an opera house. The Barber of Seville An Opera by Gioachino Rossini
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